Wudang Five Animal Qi Gong – Wu Xing Qi Gong

Wudang Academy - Traditional Sanfeng Cultural Heritage
Wudang Five Animal Qi Gong – Wu Xing Qi Gong

Wudang Five Animals Qi Gong is an ancient Taoist exercise designed to improve one’s health and longevity. As the name implies, the movements of this exercise are based on the movements of five animals; dragon, tiger, leopard, snake, and crane. Each animal movement improves the function of a particular internal organ. The dragon improves the kidneys, the tiger improves the lungs, the Leopard improves the liver, the snake improves the spleen, and the crane improves the heart. Wudang Five Animals Qi Gong can bring balance back to one’s internal organ system through dedicated practice. When the internal organs are in balance, the body can work at its optimum efficiency, thus improving the overall health and longevity of the practitioner.

In addition to bringing harmony back to the internal organs, Wudang Five Animals Qi Gong also opens up the joints, lengthens the tendons, and strengthens the muscles. Furthermore, this ancient exercise improves the functions of the respiratory and circulatory systems; this not only allows the body to deliver fresh, oxygen-rich blood to all the extremities of the body but also assists with the elimination of deadly toxins. The overall function of Wudang Five Animals Qi Gong is to the body soft and supple, like that of a child. If practiced regularly, this exercise can reverse the aging process to enjoy the benefits of a strong and healthy body well into one year.

Opening Movements


To begin, stand erect with both feet together and the hands resting along the sides. Take a moment in this posture to gather the breath and settle the mind. When ready, step out with the left foot so that the feet are now shoulder-width apart. In time with the breath, allow both hands to raise to chest level, then let the elbows lead as they fall slowly back down to the waist. There are three things to consider during the standing meditation practice: posture, breath, and intention.

The posture should be tall and relaxed. The feet should be parallel and placed shoulder-width apart with the weight evenly distributed; keep the knees soft but do not allow them to buckle inwards. Release the tension of the face, head, neck, shoulders, back, rear, thighs, and feet and allow the earth to support the body completely.

The breath should be full and comfortable. Try to keep the breath slow, soft, and even at a rate of four to six breaths per minute. The external flow of breath reflects the internal movement of energy; by regulating the breath, one can control the heart rate and chi flow of the body, inducing relaxation and ease.

The intention should be focused but gentle. Allow the eyes to gaze on the floor three to six feet ahead lightly. Keep the attention on the breath, concentrating it deep into the naval. Try to still the mind. Avoid distracting thoughts that take the mind off of the present moment of practice.



From the standing meditation posture, open the same way as in the opening movements and the dragon by letting the arms raise and fall in front in time with the breath. From here, step out with the left foot to assume a standard “horse stance.” Again, bring the arms up to the front with an inhale, but this time draw the hands back so that they are near the shoulders. Now, with the exhale, sink deep into the “horse stance” while pressing both palms forward; the fingers should be bent at the tips so as to resemble a “tiger paw.”

With the inhale, circle both hands outward and then draw them back towards the shoulders. Then, with the exhale, push the arms straight back with the hands still in a “tiger paw” to stretch the chest and shoulders. With the inhale, turn the hands again, and relax as the hands are drawn back to the shoulders in a scooping motion. This completes one whole round; three rounds make a full set. Once a full set is complete, close by pushing the hands forward and bringing the left foot back so that the feet are again at shoulder width. Allow the hands to drop back to the waist and assume the standing meditation posture; enjoy this stance for another three minutes.



From the standing meditation posture, open again in the same way as the other movements. After the opening, draw the left hand back and the right hand forward as if outlining two circles. While stepping the right foot out into a “bow stance,” bring the left hand over to the right side as the right hand drives laterally, palm up, over the left palm. From here, turn the right hand over so that it now palms down and move the left hand down as the body sinks into a “snake creeps through grass” posture.

While remaining low, shift the weight to the left side and lead with the left hand as the entire body leans over to the left side. From here, move the right hand behind the head and over to the left side of the left hand. This is the full extent of the posture. Hold it with a full breath for three to nine seconds while keeping the eyes focused on the right hand.

From this posture, drop the right hand so that the body is now able to repeat the same movement on the other side. Completing the motion once on both sides makes one round; three rounds complete a full set. After a full set, the closing movements are made by standing back up and moving the right leg back to a shoulder-width position while the arms gather in the same manner as the dragon and leopard movements. End with the hands in a yin-yang position and enjoy standing meditation for another three minutes.



From the standing meditation posture, again, open in the same way as the other movements. After the opening, allow both hands to open out towards the sides until they parallel the ground. From here, lift the left knee above the waist and extend the leg straight out with the toe pointed forward—balance on the right leg as the left leg circles out, around, and back. Lean forward to lift the left leg as high as possible while keeping the head up and the arms level. This is the full extent of the motion. Hold this posture for a full breath for three to nine seconds.

From here, slowly drop the leg and return back to the standing position before bringing the back down into the yin yang posture. To make the motion on the other side, simply raise the arms out to the sides; it is not necessary to do the opening movements again. Completing the movements once on both sides makes one full round; three rounds make a set. Once done, repeat the closing movements three times before bringing the left foot in next to the right and letting the hands rest along the sides. This concludes the Wudang Five Animal Qi Gong.

Principles for practice


Breath is probably the most important part of the Wudang Five Animal Qi Gong practice. Qi Gong can be literally translated as “breath work” or “energy skill,” As mentioned earlier, the external flow of breath is a direct reflection of the internal flow of energy; therefore, it is essential to be mindful of the breath. During practice, the breath should remain natural and comfortable; it should never be strained or stressed. The breath should also be in time with the movements; the inhale and exhale of the breath should act as the push and pull with each motion. Proper breathing is essential for effective Qi Gong practice.


Only a small amount of space is needed to practice the Wudang Five Animal Qi Gong, but it is advised to find a clean and quiet environment for practice. Areas such as a beach, forest, or mountainside where the air is fresh and clean are ideal. Spaces that are crowded or busy are not recommended for it will be far too easy to be distracted.

Time and Frequency:

The full set takes approximately thirty to forty-five minutes to do correctly. If the time needed to do the whole set is not available, then only do a portion. It is far better to do only a few movements wholeheartedly than to rush through the entire set in a half-hazard manner. Furthermore, consistent practice is necessary to experience real benefit; therefore, this exercise should be practiced at least once every day.

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